{"id":5410,"date":"2024-02-19T00:46:40","date_gmt":"2024-02-19T00:46:40","guid":{"rendered":"https:\/\/unnes.ac.id\/fbs\/?p=5410"},"modified":"2024-02-19T00:46:47","modified_gmt":"2024-02-19T00:46:47","slug":"between-mystical-and-entertainment-a-study-on-barongan-show-in-blora-indonesia","status":"publish","type":"post","link":"https:\/\/unnes.ac.id\/fbs\/id\/2024\/02\/19\/between-mystical-and-entertainment-a-study-on-barongan-show-in-blora-indonesia\/","title":{"rendered":"Between mystical and entertainment: A study on Barongan show in Blora, Indonesia"},"content":{"rendered":"\n<p><strong>Agus Cahyono, Sunarto, Deasylina Da Ary, Nadia Sigi Prameswari<\/strong><\/p>\n\n\n\n<p><strong>Abstract<\/strong><\/p>\n\n\n\n<p>The <em>Barongan <\/em>show has existed since 1825 and is particularly popular in Blora, Indonesia. This show is an adaptation of the Balinese <em>Barongan <\/em>and <em>Reog Ponorogo <\/em>to Blora culture. Because of its magical and mystical characteristics, <em>Barongan <\/em>Blora is associated with ritual practices. The traditional <em>Barongan <\/em>show began as a mystical show, but as it evolved, modern <em>Barongan <\/em>shows that are entertainment and spectacle have arisen without displacing the traditional <em>Barongan<\/em>. This paper looks at the magical and mystical rites in the <em>Barongan <\/em>Blora Show from the standpoint of function or the theatrical program. In Blora, traditional and modern <em>Barongan <\/em>show groups were interviewed and observed. As a mystical show, traditional <em>Barongan <\/em>stresses supernatural elements bound by particular regulations. It has enormous magical power and can put the <em>pembarong <\/em>into a trance. This phenomenon has a unique allure for the audience. This is different from modern <em>Barongan <\/em>shows, which are primarily for entertainment and are more adaptable in their execution. Modern <em>Barongan <\/em>shows are also more attractive to all groups since they are more enticing and are not restricted by rituals. Traditional and modern <em>Barongan <\/em>symbolize populist moral values that exist in Blora culture and are a trademark of the Blora region. Therefore the proclamation of <em>Barongan <\/em>as Blora regional art is more than just a discourse; <em>Barongan <\/em>becomes the spirit of life for the Blora people.<\/p>\n\n\n\n<p><strong>Keywords<\/strong> Barongan, Blora, entertainment, mystical, show<\/p>\n\n\n\n<p>Link: <a href=\"https:\/\/doi.org\/10.58256\/rjah.v4i1.1207\">https:\/\/doi.org\/10.58256\/rjah.v4i1.1207<\/a><\/p>\n\n\n\n<p><strong>How to Cite:<\/strong><\/p>\n\n\n\n<p>Cahyono, A., Sunarto, S., Ary, D. da, &amp; Prameswari, N. S. (2023). Between mystical and entertainment: A study on Barongan show in Blora, Indonesia. <em>Research Journal in Advanced Humanities<\/em>, 4(1). https:\/\/doi. org\/10.58256\/rjah.v4i1.1207<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Agus Cahyono, Sunarto, Deasylina Da Ary, Nadia Sigi Prameswari Abstract The Barongan show has existed since 1825 and is particularly popular in Blora, Indonesia. This show is an adaptation of the Balinese Barongan and Reog Ponorogo to Blora culture. Because of its magical and mystical characteristics, Barongan Blora is associated with ritual practices. The traditional [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":4729,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[126],"tags":[],"class_list":["post-5410","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publikasi-id"],"_links":{"self":[{"href":"https:\/\/unnes.ac.id\/fbs\/wp-json\/wp\/v2\/posts\/5410","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unnes.ac.id\/fbs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/unnes.ac.id\/fbs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/unnes.ac.id\/fbs\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/unnes.ac.id\/fbs\/wp-json\/wp\/v2\/comments?post=5410"}],"version-history":[{"count":3,"href":"https:\/\/unnes.ac.id\/fbs\/wp-json\/wp\/v2\/posts\/5410\/revisions"}],"predecessor-version":[{"id":5413,"href":"https:\/\/unnes.ac.id\/fbs\/wp-json\/wp\/v2\/posts\/5410\/revisions\/5413"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unnes.ac.id\/fbs\/wp-json\/wp\/v2\/media\/4729"}],"wp:attachment":[{"href":"https:\/\/unnes.ac.id\/fbs\/wp-json\/wp\/v2\/media?parent=5410"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/unnes.ac.id\/fbs\/wp-json\/wp\/v2\/categories?post=5410"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/unnes.ac.id\/fbs\/wp-json\/wp\/v2\/tags?post=5410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}